PrESS
Keep Calm, Panic is Here
By, Jared Rasic, The Bend Source Weekly
"...While all of the actors are well cast, it's Skye Stafford as the secretary and Tori Miller as the Frenchwoman that connect the most. Miller manages to take a role that could easily fold into a clichéd femme fatale and makes her flawed, dynamic and relatable; a likeable woman barely hanging in there. There are four or five layers Miller has to play simultaneously, and she does remarkable work, mostly in her haunted and expressive eyes."
Speak to Me
By, Jared Rasic, The Bend Source Weekly
"...The true star of The Language Archive, however, is director Tori Miller. The set is brilliantly designed, with every inch being used for multiple purposes, like a library becoming a hospital room in a matter of moments. The humor derived from the Alta and Resten scenes is very broad—barely a step away from a winkwink-nudgenudge to the audience. Yet it never threatens to tonally shift the play out of the thematic work Cho has laid. Miller always places emotion first, making Cho's sometimes writerly dialogue more palatable."
By, Jared Rasic, The Bend Source Weekly
"...While all of the actors are well cast, it's Skye Stafford as the secretary and Tori Miller as the Frenchwoman that connect the most. Miller manages to take a role that could easily fold into a clichéd femme fatale and makes her flawed, dynamic and relatable; a likeable woman barely hanging in there. There are four or five layers Miller has to play simultaneously, and she does remarkable work, mostly in her haunted and expressive eyes."
Speak to Me
By, Jared Rasic, The Bend Source Weekly
"...The true star of The Language Archive, however, is director Tori Miller. The set is brilliantly designed, with every inch being used for multiple purposes, like a library becoming a hospital room in a matter of moments. The humor derived from the Alta and Resten scenes is very broad—barely a step away from a winkwink-nudgenudge to the audience. Yet it never threatens to tonally shift the play out of the thematic work Cho has laid. Miller always places emotion first, making Cho's sometimes writerly dialogue more palatable."